Rebutting Allegations and Highlighting Collaborations
AR Rahman has responded to criticisms from playback singer Abhijeet Bhattacharya, who accused the maestro of sidelining traditional live music and excessively relying on digital technology.
- Abhijeet alleged that Rahman’s electronic-heavy production style has contributed to the decline of instrumentalists’ presence in the music scene
- He claimed that Rahman’s approach has not only diminished the importance of live performers but also led to a music industry dominated by laptops and software, leaving many talented musicians unemployed and undervalued
However, in a recent conversation, AR Rahman countered these allegations, stating that everyone has the right to their personal views.
“I still love Abhijeet, and I would send cakes to him. Also, it’s his opinion, and there’s nothing wrong with having one.”
Rahman further elaborated on his commitment to live musicians, sharing that he has formed an all-women orchestra in Dubai, comprising 60 members who are regularly employed and receive not only salaries but also health insurance and other benefits.
- Examples of Rahman’s collaborations with large ensembles include his film scores for Chhaava and Ponniyin Selvan
- Some of his compositions bring together as many as 200 to 300 musicians
- Certain tracks alone feature over a hundred contributors
Rahman clarified that while digital tools are part of modern music-making, they serve as creative instruments rather than replacements for live performance.
