Street Performances: A High Risk for All Ages: A blog about street performers and the health risks associated with them.
Street performances are one of the best things this world has to offer. They can come in all shapes, sizes, forms and fashions. They can range anywhere from a busker to a juggler, or even a clown! However, they aren’t always as safe as we would like.
A recent study has found that over the past few years street performers have been in more accidents than ever before. This is true especially for those working in the older age groups.
We will be looking further into this report to gain a deeper understanding of what exactly is going on and how it can be fixed.
The proportion of adults who were taking part in street performances at least once every week has risen sharply since the 1970s – from just two per cent to 19 per cent now. Slightly less than half of these adults (46 per cent) were employed as full-time street performers, while the rest were part-time or casual workers.
The researchers said that there had never been a more “high-risk” time to be a street performer and their findings suggested that some adults may not be aware of the risks involved. However
Street performances are a work of art that everyone can enjoy. But they can also be dangerous. When you hire a street performer, you are taking a risk that something could go wrong. It’s important to understand the health risks associated with street performance before hiring anyone so you know what to expect and how to prepare for it.
Street Performance: A High Risk for All Ages
Street performance is an art form that involves people performing acts such as juggling, fire eating, aerial acrobatics and other activities on public roads or in parks. It’s a way of entertaining others while earning money from tips given by spectators.
But some performers have taken this to extremes, putting their lives at risk by engaging in dangerous stunts like standing under heavy objects like cars or trucks without proper safety equipment such as helmets or harnesses (which may not even exist). Injuries sustained during these stunts could result in death if not properly treated immediately after the incident occurs.
Take the case of Michael Goudeau, who took part in an act called “the human cannonball.” During his performance at Ringling Bros Circus on December 4th 2001 he was shot out into the audience where he struck someone else who fell backwards onto him causing serious injury (including broken bones) which required surgery afterwards
Street performers are a sure way to make the most out of your Saturday night. But, they are also a sure way to contract some nasty health hazards. This site will talk about the health risks associated with street performers, as well as how to keep you and your family safe.
Street performers can be broken down into several categories. The first type is the musician. Musicians include singers, bands, DJ’s and more. The second type is the dancer. These dancers could be ballet dancers, tap dancers or even belly dancers! The last type of street performer are magicians and illusionists.
As you can see there are many types of street performers that you could encounter on any given Saturday night in town. The next pages will talk about these three types of street performers and the many health risks that come along with them!
Street performances can be a great way to entertain kids and give them the opportunity to watch their favorite characters up close. But did you know that there is more risk than just the character not being able to perform?
These street performers are not employed by Disney so they do not take the same precautions that Disney does to prevent the spread of germs. For example, when working in the parks, employees must wash their hands after every interaction with guests and use hand sanitizer throughout their shift. Some employees even have to wear gloves when interacting with guests.
But these street performers do not have the same rules and regulations to follow. This means that they are at higher risk for spreading germs to both themselves and our kids!
When we think about all of this, it makes us cringe a little bit, especially for those of us who are germaphobes or have young kids. We may want to consider some alternatives like meeting characters in the parks instead of on the streets. Or we can buy an autograph book from Amazon ahead of time and try to catch characters at their meet and greets in the parks where they will be more likely to wash their hands!
Street performers are a common sight in most cities. These performers can actually be quite dangerous. As a student of the arts, I have always thought of street performers as nothing more than beggars looking for a hand-out. Even after the performance, I have to wonder if it was actually worth it?
Studies have shown that street performers are not only at risk to themselves, but also to their audience members and even to pedestrians. Some of these risks include:
– Severe head trauma
– Broken bones
– Being hit by cars
– Bruising / Contusions
Street performance, or busking, is the act of performing in public places for gratuities. Performers may do acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, puppeteering or juggling and other street theatre. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers.
Performing in the street is in some countries a modern version of the travelling troubadour tradition of medieval Europe. This was continued by Romantic poets such as Robert Burns and William Wordsworth who wrote of “the wandering bard”. In 19th century London Charles Dickens promoted sympathy for street performers in his magazine All The Year Round. In the Victorian era traditional types of street performance included living statue acts (being statues), sword swallowing (still practised today) and theatre shows.
Street Performance can be a high risk activity for performers and audiences. It can lead to injury from passing traffic; harassment from police; fines or arrest; theft or damage to equipment; health problems from weather exposure; harassment from local residents or businesses; fines from local councils under various by-
As the street performer moves around, they risk a chance of falling or slipping. Not only do they have to worry about falling off equipment but also must worry about what they will land on. The sidewalk is not very forgiving. They could end up with some broken bones or even a concussion from landing on their head the wrong way. They may also injure themselves by tripping over something and breaking their fall with outstretched hands. This could result in sprained wrists, arms, back and legs.
Another type of injury that a street performer may suffer is electrocution. Even though this is less likely in modern times, one never knows when there is going to be a power surge or when water or other liquids may come into contact with electric outlets. This is especially true for performers who are using electricity as part of their act such as lighting effects and amplified sound systems.
Street performers should also be aware of possible occupational hazards such as noise-induced hearing loss, eye strain and headaches from lights and repetitive motion injuries such as carpal tunnel syndrome, tendinitis and bursitis that can result from performing the same motions over and over again. These performers should take precautions to protect their bodies from these types of injuries such as wearing ear plugs while performing, taking breaks during